Biden’s best “Come on, man”

“Come on man”

I’ve never been a fan of Mencken’s sentiment that American politics is the greatest show on earth* but Joe Biden’s continuing use of “come on man”, especially in this clip, is pretty hilarious. Just the look on his face, an American president on his first day in office, giving the old ‘come on man’ to what I’m sure is a scripted question. Biden looks like he hasn’t a clue where he is or what he’s doing, and is talking like he’s a blue collar worker on lunch at the deli.

*Excerpts from “On Being an American” by H.L. Mencken (1922)

“All the while I have been forgetting the third of my reasons for remaining so faithful a citizen of the Federation, despite all the lascivious inducements from expatriates to follow them beyond the seas, and all the surly suggestions from patriots that I succumb. It is the reason which grows out of my mediaeval but unashamed taste for the bizarre and indelicate, my congenital weakness for comedy of the grosser varieties. The United States, to my eye, is incomparably the greatest show on earth. It is a show which avoids diligently all the kinds of clowning which tire me most quickly — for example, royal ceremonials, the tedious hocus-pocus of haut politique, the taking of politics seriously — and lays chief stress upon the kinds which delight me unceasingly — for example, the ribald combats of demagogues, the exquisitely ingenious operations of master rogues…We have clowns in constant practice among us who are as far above the clowns of any other great state as a Jack Dempsey is above a paralytic — and not a few dozen or score of them, but whole droves and herds. Human enterprises which, in all other Christian countries, are resigned despairingly to an incurable dullness — things that seem devoid of exhilirating amusement, by their very nature — are here lifted to such vast heights of buffoonery that contemplating them strains the midriff almost to breaking.

Turn, now, to politics. Consider, for example, a campaign for the Presidency. Would it be possible to imagine anything more uproariously idiotic — a deafening, nerve-wracking battle to the death between Tweedledum and Tweedledee…the unspeakable, with fearful snorts, gradually swallowing the inconceivable? I defy any one to match it elsewhere on this earth…Here, having perfected democracy, we lift the whole combat to symbolism, to transcendentalism, to metaphysics. Here we load a pair of palpably tin cannon with blank cartridges charged with talcum power, and so let fly. Here one may howl over the show without any uneasy reminder that it is serious, and that some one may be hurt. I hold that this elevation of politics to the plane of undiluted comedy is peculiarly American, that no-where else on this disreputable ball has the art of the sham-battle been developed to such fineness…

… Here politics is purged of all menace, all sinister quality, all genuine significance, and stuffed with such gorgeous humors, such inordinate farce that one comes to the end of a campaign with one’s ribs loose, and ready for “King Lear,” or a hanging, or a course of medical journals.

But feeling better for the laugh. Ridi si sapis, said Martial. Mirth is necessary to wisdom, to comfort, above all to happiness. Well, here is the land of mirth, as Germany is the land of metaphysics and France is the land of fornication. Here the buffoonery never stops.

That cost, it seems to me is very moderate. Taxes in the United States are not actually high. I figure, for example, that my private share of the expense of maintaining the Hon. Mr. Harding in the White House this year will work out to less than 80 cents. Try to think of better sport for the money: in New York it has been estimated that it costs $8 to get comfortably tight, and $17.50, on an average, to pinch a girl’s arm. The United States Senate will cost me perhaps $11 for the year, but against that expense set the subscription price of the Congressional Record, about $15, which, as a journalist, I receive for nothing. For $4 less than nothing I am thus entertained as Solomon never was by his hooch dancers. Col. George Brinton McClellan Harvey costs me but 25 cents a year; I get Nicholas Murray Butler free. Finally, there is young Teddy Roosevelt, the naval expert. Teddy costs me, as I work it out, about 11 cents a year, or less than a cent a month. More, he entertains me doubly for the money, first as a naval expert, and secondly as a walking attentat upon democracy, a devastating proof that there is nothing, after all, in that superstition. We Americans subscribe to the doctrine of human equality — and the Rooseveltii reduce it to an absurdity as brilliantly as the sons of Veit Bach. Where is your equal opportunity now? Here in this Eden of clowns, with the highest rewards of clowning theoretically open to every poor boy — here in the very citadel of democracy we found and cherish a clown dynasty!”

We are the 99% Protest Song Chords and Lyrics

Protest gold, written by Darren Nesbitt/Darren Smith of Manchester England. Here is the video, with chords and lyrics below. (Note that Mr. Smith plays it in the key of A. I transcribed it in G…if you want to play along to the video put the capo on the second fret.)

You can play it fast or slow, it fits any style. Use capo to get in the right key for your voice then play it everywhere. Spread the message. This is one of the greatest songs ever written.

Here is video on how to play the rhythm and melody. Tab for the melody is on the bottom of the page.



Here are the lyrics. I added the G7 and C7 chords as I play it in the video above, but they are optional. Thanks for all the great comments and feedback, you all give everyone hope for the future. If you are so inclined, buy my book of poetry from the link in the About page. Now to the chords and lyrics:

(G) You can stick your new world order up your ass

You can stick your new world order up your (D) ass

(G) You can stick your new world (G7) order, where the (C) sun don’t shine but (C7) oughta

(G) You can stick your new world (D) order up your (G) ass


Chorus (repeat after every verse):

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